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May 16 11

Salvation and Deliverance Church

This week I went to Harlem to attend services at rapper, Mase’s old church:  Harlem’s Salvation and Deliverance Church, founded by Apostle William Brown in 1975.  The first thing I was told upon entering was that attendance soared once word spread that this was Mase’s home church. This made me think about questions surrounding hip hop’s impact on religion in general and this faith community of Harlem in particular.  The service was packed to the point where I couldn’t sit down.  There were even people outside jumping and enjoying the service. The members of the church were extremely welcoming and actually spoke to me first before I got up the courage to ask questions.  It was exciting to visit a religious institution and be amongst people who are young and positive, open and loving…and the music was also live and jumping.

I eventually walked around and asked several people about their experience within the church.  I found out that the church is the headquarter church for a worldwide ministry focused heavily on youth services.  To me it was shocking to see the youth so active within the church. They were actually the ones most involved. I can recall times when I’ve been in church and the kids would sing at events but not be nearly as active as they are in this church.  I had a great time, seemed like everyone had a great time.

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May 15 11

Canaan Baptist Church

 

Visiting Canaan Baptist Church, what first caught my attention was the music, singing, and dancing while the service was going on.  This was striking for me as someone used to catholic churches where worship happens in an entirely different way.  Not only was the choir live, but the members of the church were just as live and loud, even the youngest members.  The two little children who were in front of me, probably age six and eight, were jumping around singing so free.  This Sunday everyone came together to sing the most heavenly gospel music, but it had a spin on it.  They added modern instruments, lush vocal arrangements and turned an old hymn into a modern day hit.  This contemporary sound pulled the younger crowd in, kept them interested and wanting more.

Canaan Baptist Church is one of most historic houses of worship in Harlem, with visitors from around the world filing in every Sunday.  Many come expecting a gospel music performance and forget the importance of the worship service for the congregation.  Who can blame them?  The atmosphere leaves you no choice but to lose yourself and indulge in the energizing combination of great people, uplifting music, and of course the word of God.  Everyone comes to church for a different reason–to pray, to see a friendly face, to share an intellectual conversation with someone–whatever it may be you can come to Canaan Baptist and receive it.  No one passes judgment; everyone who comes enters those doors as equals.

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May 14 11

First Corinthian Baptist Church

Upon attending a Sunday service at  First Corinthian Baptist Church I felt like I was in a party. It seemed like a huge celebration and I honestly believe that this is the way church should be. I asked the lady next to me if it is like this every week and she said “yes but it was only just getting started”. The service was unbelievable and by far the best service I have ever been to.

One of the things I loved about the church was how active the youth were. The youth seemed to be so involved in what was going on within the church and the community. As soon as I walked out they handed me a paper with Manning Marbles name on it. I was so excited to see that the people within this religious institution where so invested in African American Culture and the influential people with in it.

Another interesting thing I loved was after church young children where learning about God. Not the traditional Sunday school but a Sunday school that mirrored the actual seriousness I saw earlier. Sunday school was taught by young adults to elementary school that seem to serve students in Kindergarten through 5th grade. After talking to one of the student teachers I learned that they have been adding one grade annually since its opening.

The Sunday schools main focus is not just “the good word,” they also focus on learning about African American culture.  Learning about ones culture is very important.  There is nothing worse then not knowing where you come from.  As an African American it’s essential to me that I know my roots, and what many African American’s before me have contributed to the world today.  Watching the kids during their class I saw the intensity and the desire to learn and it reminded me of myself at that age.

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May 12 11

Bakh Yaye Store: West African Religious Services as Commercial Film in Harlem

It was late into the evening, and as I walked back to campus from Harlem on 116th street I could barely make out the figures ahead of me in the darkness. I could, however, hear the reverberation of African music playing from the store fronts of Little Senegal as I passed, and the sounds brought with them a sense of calmness and peace. One store in particular made me stop, as images flashed from a small television screen in the window. The images were of African women and men dressed in traditional, formal clothing and head scarves; they were seated underneath a white tent and passing around a microphone. The screen seemed to be depicting a type of religious service, and the quality and way it was filmed gave the impression of a home made video rather than a feature  film. I was interested to know why this video was playing, without sound, in the window of the store and made my way inside. I stood near the entrance of the door for several minutes. Inside were a group of older men, wearing boubou’s and kufi’s and a few, wearing jeans and t-shirts. The men did not pay any attention to me as I stood and glanced around the store; they made their way past me as though I was invisible as the store clerk motioned and lead them towards a group of  CDs that they seemed to be searching for. I continued to stand unsure of that I was doing, the store was cramped and small – until  a young clerk entered the store and asked if I needed assistance. I asked him about the video playing in the front of the window to which he explained “It is a wedding ceremony.” I ask him if it was a movie, and he laughed and explained that it was a video of an actual ceremony and that they sold many DVDs similar to it in the store. I was intrigued as to why two-hour-long, home videos, of religious ceremonies in West Africa would be made into commercialized products within the continent and here in Harlem. The clerk could not explain the significance either, only that people bought them and enjoyed watching them perhaps to emulate the services here, abroad. He further explained the process of how he is shipped a CD or DVD from Africa, and then duplicates them on the computer in the back and prepares them in cases to be sold. He gave me DVDs to take home and watch, along with a copy of his favorite CD, in hopes that I might gain some insight on the culture.

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May 4 11

Jesus in Jewelry

Along 125th street proper are numerous jewelry shops that cater to the Harlem communities and the thousands of tourists that past through Harlem each year in search of “authentic” Harlem souvenirs.  The stores carry a variety of products ranging from gold to diamonds, chains to rings, and inexpensive to the costly.

One category that is displayed in many of these stores is that of religious iconography.  In nearly every jewelry shop, chains with crosses and Jesus’ face can be seen hanging in display cases next to other secular symbols like money signs, English letters, and the like.  According to one store manager, theses religious images are some of the best-selling products in the jewelry stores throughout Harlem’s shopping district.  He explained, however, that the crosses and chains were the most popular not for their relevance to Christian doctrine; rather, its because it is most popular in the hip-hop community at the present time.  As the store employee explained, “when [rapper] Lil’ Wayne['s albums] are selling, the crosses are selling.”  This phenomenon suggests that jewelry that is religious in appearance is purchased for its association with popular culture.

May 3 11

Old Broadway Synagogue

In many minds, Harlem is a romantic site of Black cultural innovation and a symbol of the African American community of the past, present, and future.  Many pieces of Harlem stands as a living memorial to the various people and events that helped shape Black culture in America.  Tucked away behind the historical sites, the churches, and the other institutions that constitute an idealized Black Harlem exist remnants of another Harlem that was once occupied mainly people of Eastern European Jewish decent.  Old Broadway Synagogue, named for its location on Old Broadway Ave and 125th Street, represents the once thriving Jewish population of the early twentieth century and still functions as the only remaining mainstream synagogue in Harlem.  As a traditional Orthodox synagogue in a predominantly Black neighborhood, Old Broadway embodies Harlem’s past as a Jewish neighborhood, as well as its present – a multi-racial space that is complicated by its perception as a “Black” neighborhood.

The services I attended at Old Broadway Synagogue revealed much about the presence of Judaism in Harlem and its relation to Harlem as a racially and economically diverse space.   On one hand, the service resembled a typical, Ashkenazi Orthodox afternoon service that could be found in any synagogue of that same tradition.  This is important for understanding Old Broadway Synagogue as a relic of Harlem’s Jewish past and its ability to preserve a nearly forgotten tradition in Harlem.  In contrast, the fact that nearly a quarter of the attendees were of African American descent suggests that Old Broadway Synagogue has undergone a tremendous shift from a congregation made up of Jews of mainly Eastern European descent, to its present status as a multi-racial synagogue (Old Broadway Synagogue Website).   The synagogue boasts not only white Jewish congregants from the Upper West Side and Harlem, but also Black congregants that formerly attended the Commandment Keepers Synagogue and congregants of other racial and ethnic backgrounds.  In this sense, Old Broadway Synagogue fits the theoretical framework that treats Harlem as a place of diversity, rather than a strictly “Black” neighborhood.

Apr 29 11

St. Edward The Martyr

Located on 14th East 109th street, the St. Edward the Martyr church has a history and influence that extends beyond Harlem. Emerging from what is called a “violent religious disagreement”, in 16th century Europe the English Church split from Rome’s Catholic majority and to create a Protestant sect of Christianity that would be more open to the public and encompassing of more liberal values. The offshoots of this breakaway was the Episcopal Diocese.

Today, the Anglican Communion is the largest religious community in the United States. They read from the Common Book of Prayer, and the New York branch is one of 30 major Episcopal national religious houses of worship. The Harlem branch was founded on the same principles that started the breakaway from the Roman church – to try to accomodate individual spiritual conscience and become a spiritual resource to as many people as possible. It is known for it’s large Latino constituency, (which begs the question as to why this isn’t in Spanish Harlem), LGBT advocacy, nonforprofit initiatives fundraising for relief funds for environmental catastrophe overseas (most recently it’s Haiti Relief Fund), and it’s recompensation for victims of slavery.

I talked to the secretary inside, who handed me a pamphlet that explained more about this unique initiative that seems to be so grounded in the cultural history of Harlem and of the history of religious conflict with blacks throughout the United States. The pamphlet read: “Reparations is the process to remember, repair, restore, reconcile, and make amends for wrongs that can never be singularly reducible to monetary terms. The process of reparations is “an historical reckoning involving acknowledgement that an offense against humanity was committed and that the victims have not received justice”. This quote was from the Executive Minister for Justice Ministry, form the United Church of Christ.

When I asked the woman why specifically the church, even on a national level, seemed to advocate for slavery reparations while showing a stronger affiliation with the Spanish population in Harlem, she replied, “Everyone has a history. Somewhere in their ancestry, someone has been enslaved for one reason or another”. She went on to tell me that their main purpose was to provide spiritual relief from the decades of oppression inflicted by slavery on a person’s conscience. Physically, however, St. Edwards works closely with the Yorkville Common Pantry, located right next door. She says that the church believes the greatest strife inflicted on a human being is hunger, and they work with Yorkville to provide a space with resources to alleviate that strife. While many churches in Harlem go beyond spiritual guidance as part of community outreach initiatives, few have direct affiliation with non-religious non-for-profit organizations in such close contact. The woman also added that many of the congregation’s constituents come directly to church from Yorkville for their  Sunday lunches.

Apr 29 11

Church of the Good Neighbor

Located on 106th and Park Ave, which also crosses over into Angelo Del Toro Place, you can find Church of the Good Neighbor in Spanish Harlem. Written in Spanish the banner welcomes newcomers to this Evangelist-Presbyterian church – the first merged church I have come across. While the sign for the church is large, it’s fairly easy to miss amidst the other community organizations that surround it. In the basement of Church of the Good Neighbor is the Manhattan Free School. The Manhattan Free School is an independent school for kids ages 5-18 (Kindergarten through high school, despite it’s small occupation) which is privately funded in part by Church of the Good Neighbor. The school is, as it’s website advertises, ”

In any educational setting, young people have the right:

  • to decide individually how, when, what, where, and with whom they learn,
  • to have an equal share in the decision-making as to how their organizations—in particular their schools—are run, and which rules and sanctions, if any, are necessary. We believe people are born curious and because of this we can trust in their desire to learn and their enormous capacity to make sense of the world on their own terms.”

These guidelines were established based off of the 2005 Democratic Education Conference – the school is fairly new and so has not had a high enrollment rate… yet. It’s philosophy encourages interaction with the natural world, and part of the “natural world” is spiritual. The Church of the Good Neighbor provides that spiritual education through their joint after-school programs with the school.

On the left of the church is a local Fire Department, and a medical center across the street. Whats more is next to the medical center is another Church, who has decorated common street signs (stop signs, orange cones, and bumpers) with the spray painted phrase, “Funeral this way”. When I asked a man at the corner Pizzeria, he said that the church across the street deals with Funeral requests from both congregations, since across the street is bigger and can accommodate more people, and also has a ramp (which Good Neighbor can’t have due to their garage being used by the Fire Dept.)

Apr 29 11

Mother AME Zion

On 137th and Adam Clayton Powell Jr. is Mother African Methodist Episcopal Zion Church, the oldest black church in the US, having been founded in 1796. In the 1800′s it was well known as “the freedom church”, as it became a safe haven for blacks who escaped slavery in the south and immigrated to the northeast, often without money or a plan to survive. Given it’s long history in helping those in need, it’s no wonder Mother AME Zion sports a sign that advertises the James L. Varick Community Center just down the street, and gives it’s office hours. When I went inside, I had the chance to talk to Lee Brown, a long-time member of the AME church and also a part-time secretary on week-days. Brown, who is in his 80′s and came to Harlem in 1955, told me that the Community Center works with a local drug abuse rehabilitation center on 145th and Broadway. He says the rehabilitation center reached out to Mother AME Zion when those looking for medical help began to seek spiritual guidance to accompany their physical withdrawals. Having been an addict himself in his early twenties (Brown does not specify of what), he says AME has been a huge support system for him.

Other interesting features of AME Zion is their weekly political activism meetings and their enourmous Wick’s organ, which was specially designed for the church. AME focuses not only on community outreach, but as a gathering place outside of Sunday services for artistic and intellectual engagement.

Lastly, I noticed that on the block where AME Zion is located, there were 4 different signs warning local kids not to play basketball in the neighborhood. When I asked Brown about this, he said he thinks it’s because a lot of the youth basketball teams in the neighborhood are formed by the teenagers who attend AME and talk about setting up games and practices when they meet for saturday services, and then later go over game plays on Sundays after Sunday services. He says sometimes they bring their balls with them to service because they plan to go play afterwards at a court, but recently it’d become a distraction in church.

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Apr 28 11

“Harlem is Somewhere”: Dwyer Cultural Center, 123rd and St. Nicholas Ave.

I walked past this sign one night and realized what a striking place it  was marking.  Though not exactly a “religious” site, the Dwyer Cultural Center is a multimedia cultural center committed to the culture, history, and traditions of Harlem.  Founded only a couple years ago in 2009, the center was created as the creative project of two non-profit organizations, Community Works and International Communications Association.  The Dwyer Cultural Center, or DCC now hosts year-round activities and exhibits to support the local arts and culture of the Harlem community.

As the sign indicates, one of their ongoing exhibits, entitled “Harlem Is…” explores a wide range of topics that all contribute to Harlem as a cultural place.  As the website indicates, the eight-part exhibition “celebrates the legendary people, places, and institutions [such as the Gospel tradition] that helped shape the world-famous Harlem community.”  The eight parts of the series are: Its People, Music, Art, Dance, The Gospel Tradition, Theater, Latin Roots (East Harlem), and Voices of Youth.  The space is also used to showcase new emerging artists in the area, with a specific emphasis on targeting intergenerational audiences, from oldest members of the community, to their great-great-grand-kids.  This innovation of a brand-new cultural hub in Harlem seems to address one of the major concerns I’ve heard voiced by people of all different faiths and traditions throughout my explorations in Harlem: that the youth are no longer active in the religious life that has had such profound historical resonance on the cultural fabric of Harlem as a whole. It is also fascinating that here is a space dedicated to defining Harlem as a very specific cultural “place”.  Juxtaposed with Sharifa Rhodes-Pitts’ notion that “Harlem is Nowhere,” the Dwyer Cultural Center presents an alternative perspective: that indeed Harlem IS somewhere, a place situated by both its culture and history.  Upcoming events at the DCC include a film screening of a documentary of “Harlem is…Gospel Tradition”, an evening with local artists called “Spirit of Community”, and a photography exhibit on modern youth hairstyles and trends in Harlem called “Killa Swag!”  Here is a link to their website, with a schedule of their events: http://www.dwyercc.org/

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